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Meike has announced its new 85mm f/1.8 full-frame lens, the Hong Kong-based camera gear manufacturer’s first autofocus lens. It’s available in Canon EF, Nikon F, and Sony E mounts (for APS-C cameras).The MK-85mm f/1.8 features an all-metal body, a multi-coated front element, a lens hood, 9 elements in 6 groups, a minimum focusing distance of 2.78 feet (0.85m), and a filter thread of 6
Chinese accessories brand Meike has announced it will introduce an autofocus 85mm F1.8 lens for Canon and Nikon full-frame DSLRs. In addition to adding another (very likely) affordable third party option to the mix, this will be the company’s first AF lens.Details are a little thin on the ground, but early marketing materials suggest it will be a lightweight and compact lens with an all-metal bod
Meyer Optik has announced its new APO-Makro-Plasmat 105 F2.7 lens, a modern version of one of the classic Plasmat lenses developed by Dr. Paul Rudolph 105 years ago. As with previous Meyer Optik revivals, the company is funding its product on Kickstarter, where it explains that the new Plasmat 105 "offers natural sharpness, unbelievable color reproduction, and a glowing bokeh united at every step
Venus Optics has just announced four upcoming lenses that are currently in development: the Laowa 10-18mm f/4.5-5.6 FE Zoom, 100mm f/2.8 2X Ultra Macro APO, 17mm f/4 GFX Zero-D, and 4mm f/2.8 Fisheye MFT. The 10-18mm will be the world’s widest zoom lens for Sony full-frame E-mount cameras.Here’s Venus Optics’ description of each of these lenses:Laowa 10-18mm f/4.5-5.6 FE ZoomThi
Click here to read my Sigma 16mm f/1.4 Contemporary Field Test Earlier this year, Sigma released the 16mm f/1.4 DC DN Contemporary mirrorless lens, which is the first APS-C lens for Sony E-mount to offer an equivalent 24mm focal length and fast f/1.4 aperture. The lens not only offers a fast maximum aperture, it also includes a dust- and splash-proof design, fast autofocus and a
$(document).ready(function() { SampleGalleryV2({"containerId":"embeddedSampleGallery_2767758436","galleryId":"2767758436","isEmbeddedWidget":true,"selectedImageIndex":0,"isMobile":false}) });When it was announced in 2016, the Rokinon AF 14mm F2.8 FE was among the first full-frame autofocus lenses for Sony's a7-series mirrorless cameras. We wanted to see how this affordable wideangle prime perform
$(document).ready(function() { SampleGalleryV2({"containerId":"embeddedSampleGallery_7966644208","galleryId":"7966644208","isEmbeddedWidget":true,"selectedImageIndex":0,"isMobile":false}) });The longest telephoto lens in Fujifilm's medium format lineup has arrived with the introduction of the company's GF 250mm F4 R LM OIS WR.The lens has a 35mm equivalent of around 200mm, which can be further ex
Fujifilm has introduced the longest medium-format GF lens to date, the Fujinon GF 250mm f/4 R LM OIS WR. The lens is also the second GF lens to incorporate optical image stabilization (OIS), joining the 120mm f/4 Macro lens. When paired with the GFX, the 250mm f/4 delivers a 35mm-equivalent focal length of just under 200mm due to the crop factor of the medium format sensor. Optically, the GF 250m
Spring is finally here in the northern hemisphere, the wildlife is quickly waking up, and our friends at Panasonic have now delivered us a sample of their new 50-200mm f/2.8-4 DG Leica lens. ...Perfect timing! This new optic has so many intriguing specs to offer, but more than anything, it is a 100-400mm-equivalent lens with a relatively bright aperture that just so happens to be light enough to
Sony has announced the latest member of its professional Super 35mm lineup, the FS5 II. Similar in looks and functionality to its predecessor, the upgrades to the FS5 II are mostly features that were available to its predecessor through paid updates—only now they're 'free'.Inside, the Super 35 Exmor CMOS sensor remains untouched. Likewise, the E-mount body of the camera remains identical aside fr


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