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Click here to read our Panasonic 12-35mm f/2.8 II Review Announced back at CES 2017, the second-generation version of Panasonic's versatile 24-70mm-eq. f/2.8 zoom lens is, admittedly, a minor refresh to an already-great zoom lens. Despite that, the optical quality is still fantastic, the build quality is just as rugged, and there are small improvements, such as Dual I.S. and
There are certain lenses which are staples of many professional photographers' kits. Alongside the 70-200mm f/2.8 zoom, which nearly all manufacturers produce, there's also the 24-70mm f/2.8 zoom. The 24-70mm f/2.8 is great for landscape photographers, street shooters, event photographers, portrait photographers and much more. It's a versatile lens. Personally, there's no lens I&#
Danish nature photographer Morten Hilmer has been visiting the western coast of Denmark, which is one of his favorite areas to photograph birds and landscapes. Every spring, kittiwakes, a migratory seabird, comes to cliffs in the Thy National Park to breed. It's a stunning scene as we see in Hilmer's behind-the-scenes video below. Hilmer is well-equipped with a Nikon D5 and Nikon 180-40
Click here to read my Nikon 180-400mm f/4 Field Test With the Nikon 180-400mm f/4 TC1.4 FL ED VR supertelephoto zoom lens, Nikon has created a very versatile and very high-end optic that's directly aimed at wildlife and sports photography. In my case, I tested the lens with wildlife and paired it with both the Nikon D500 and Nikon D850 cameras. Wildlife is challenging for m
Tamron has announced more details regarding their 28-75mm F/2.8 Di III RXD (Model A036) Sony FE-mount zoom, which was originally announced back in February of 2018. In addition to touting the lens' fast aperture and pleasant bokeh that'll be great for portraits, Tamron also noted that the new zoom will also feature moisture-resistant construction and hydrophobic fluorine coating that will
Venus Optics has announced four new Laowa lenses in development. The lenses will be available for a variety of camera systems, including a Micro Four Thirds fisheye lens, an FE zoom lens, a Macro lens for multiple mounts and a GFX ultra-wide prime. All four lenses detailed below will make their full debut May 3-6 at the Beijing P&E Imaging fair. Kicking things off with the new fisheye lens,
NYC-based filmmaker Casey Neistat recently compared a $35 clip-on smartphone lens with a $7,000 DSLR (the Canon EOS-1D X Mark II to be precise) and superzoom lens. The results, to no one's surprise, were not in the smartphone lens' favor. However, Neistat expresses surprise at the (admittedly very minor) capabilities of the cheap lens, saying, "So, I very gently, very reluctantly, recommend this
Leica has expanded its SL system of lenses with an ultra-wide angle zoom lens, the long-rumored Super-Vario-Elmar-SL 16-35mm f/3.5-4.5 ASPH. The lens has been designed with a diverse range of uses in mind, including landscape, architecture, wedding, event and concert photography. To help with the latter trio of genres, the lens has been equipped with what Leica calls "supremely quick and quiet au
• Click here to read my Sigma 14-24mm f/2.8 Art Field Test • Not long after Sigma announced their new 14-24mm f/2.8 DG HSM Art zoom lens, we were able to get our hands on it and put it through its paces in the wild. While our lab testing results are still to come, I was able to Field Test the lens up here in Maine paired with a Canon 5DS R camera. During my time with the lens, it impres
Click here to read the Canon G1X III Field Test Part I The Canon G1X Mark III is very different from its predecessor. One of the biggest changes is the shift from a 12-megapixel, 1.5-inch type sensor to a 24-megapixel APS-C sensor. Along with this increase in megapixel count and sensor size, the built-in lens has gone from a 5x zoom down to a 3x zoom. In my first Field Test for the G1X III, I exp


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