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You may have seen prior coverage here on Imaging Resource of Capture One's "Dedication" campaign, showcasing a trio of professional photographers and what dedication to their craft means to them. Now's your chance to show off your own photography and win a photography trip of a lifetime. The steps are easy. You choose an image that means something special to you, specifically as a photo
Earlier today, Phase One announced the newest version of Capture One 11. With this update, they not only added new Styles, but they improved the Styles and Presets workflow, allowing users faster access and better control over editing their images. In the video tutorial below, you can learn how to apply Styles and Presets to single images and batches of images while also learning how to get ful
Phase One has announced the first major update to their image editing software, Capture One 11. Capture One 11.1 is available now for Mac and Windows and includes a number of improvements as well as new camera and lens support. Looking at the software's feature set and usability, there are three primary improvements. Workflow has been improved by adding a faster way to access and apply Styl
In January, Hasselblad announced the H6D-400C, which can capture 400-megapixel images using its new Multi-Shot technology. Jaron Schneider wrote here on Imaging Resource about the camera and about cameras with such high-megapixel counts in general, asking "Why the hell do we need 400 megapixels?" It's a good question and in most cases, 400 megapixels, or even 100 and probably 50 too, are over
Some people have an understandable distaste for high-dynamic range (HDR) photography, which has at times been very overdone and made images look excessively processed. However, HDR photography can also be done with a subtle touch to create images with a more natural-looking dynamic range and capture scenes more like how we see them with our own eyes. To help you create HDR images, Serge Ramelli h
Credit: AtomosAtomos' Shogun Inferno and Sumo19 external HDR monitor/recorders are about to get a free upgrade that will really delight owners of the popular Super 35 Panasonic AU-EVA1 cinema camera. The update—full details incoming at NAB 2018—will allow EVA1 owners to capture 5.7K Raw video direct from the sensor at up to 30fps using the recorders' 6G SDI connections.If you pull that down to 4K
peter zelewski, fascinated by the bonds that they share, photographed a dozen identical twins. these bonds aren’t ones us-non-twins could truly understand, yet, shallowly, we pretty much double-take and stare at these otherwise normal-looking people all the time, in person and online, solely because they happen to be one of two. in ‘alike but not […]The post photographs of twins capture how
Google has announced that it is experimenting with light field technology to improve its virtual reality content. The company detailed the work in a recent blog post, explaining that it has modified a GoPro Odyssey Jump camera so that it features 16 cameras mounted along a vertical arc, which is itself mounted to a 360-degree rotating platform.According to Google, light field technology is one po
Adam Karnacz of First Man Photography has headed to Whitby, England to capture long exposure landscape images. The wrinkle for Karnacz is that he wants to do long exposure photography in bright daytime conditions. To capture long exposure images during the day, stopping down your aperture is often not enough. To slow down the shutter speed enough during the day, a neutral density filter is often
You may recall back in February when we shared a video by Ted Forbes in which he compared the treatment of RAW images in Adobe Lightroom versus Capture One Pro 11. He preferred the look of the images in Capture One and he discussed why different RAW editors can make the same files look dramatically different. Now Forbes is back with another video about Capture One on his YouTube channel, The Art


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